Gravity

A phenomenal accomplishment in filmmaking supported by an excellent cast, a strong script and bombastic soundtrack. In sum: the theater experience of the year. See it.

I've been on hiatus for a while, which has been disappointing because I love writing these things. I'm planning to overhaul my blog once I'm free from Uni commitments, but in the meantime... I've been watching lots of stuff! I'll do my best to pump out a few mini-reviews in the coming days as my essay deadlines loom and I need to start digesting all this information into something academically presentable, but in the meantime... Here's Gravity.

With all the buzz around this film I just couldn't resist dashing out to the theater last week to see it. It's almost like a perfect conclusion to my sort-of series about the Hollywood system: When big-budget movies go right. I don't really have much more to say about that, except that it does happen! There are creative people working in the industry - not every film that achieves blockbuster status is cookie cutter. Gravity is a totally unique film to experience.

Man Of Steel

Bombastic and ambitious, Man Of Steel creatively re imagines the Superman mythos for the modern audience. It lacks in acting, pacing and story, but makes up for it in sheer spectacle.

In response to the massive success of Marvel's Avengers franchise, DC Entertainment and Warner Bros. have unveiled their plans to create a Justice League film, featuring iconic comic book characters such as Superman and Batman.

While Batman has found great success on film recently, Christopher Nolan's The Dark Knight series was heavily grounded in reality, delving deep into the psychology of its central figure. Not the stuff of science-fantasy franchise building. But in the wake of Batman's success, Nolan was brought on board (along with Dark Knight writer David Goyer) to develop Superman into a story that could not only resonate with today's audience, but could also form the foundation for a whole series of DC-universe blockbusters that could intersect and expand.

The two super-powers of the comic book film franchising realm are clashing, and in the glorious carnage, we the audience are about to reap the benefits. Or endure the consequences. It's hard to say, really, whether this kind of film making is good for the industry or not.

"New" Hollywood tactics - of throwing as much money as possible at a film, and having it appeal to the widest audience possible - have been around for well over 30 years now. Has anything changed? Today's industry, it seems, is exacerbating the trend started by Star Wars and Jaws, with bigger budgets, bigger marketing, stronger branding, deeper pockets to be emptied and refilled. What do we call films like The Avengers, and the Justice League project? Mega-blockbusters? AAAA movies?

Star Trek Into Darkness

Star Trek Into Darkness is a perfect continuation of a supremely well-executed reboot. It draws on the old lore, builds on the new, with a balance that will likely please both the casual audience and the hardcore.

(This review will spoil some major plot developments from J.J. Abram's first Star Trek.)

Star Trek Into Darkness takes the solid foundation of the first film, and builds on it fantastically. The aesthetic of 2009's Star Trek remains with the action scenes, the creatively envisioned future gadgetry  and even the infamous lens flare. Yes, the first film caught a bit of flak for the incessant lights that seemed dialed up to 11, but this film tones it down only a touch. It's no longer blinding, but it's familiar and consistent with the feel of the first film. Good compromise.

J.J. Abrams 2009 effort to reboot one of sci-fi geekdom's most well known franchises was perhaps the most brilliantly executed in reboot history. Recasting new faces as iconic characters, Kirk (Chris Pine) and Spock (Zachary Quinto), the trick they pulled in that film was to make the new series occur in a parallel universe; one affected by time travel. Different from the original series, but with the same characters and settings (well, minus Vulcan).

What made it really work was the presence of old Spock, played by the original actor, Leonard Nimoy. Nimoy's presence in the film served both to tie it in with the old series; acknowledging its existence, and also allowed the new series to take it's own direction with this slightly altered timeline. It was like the old franchise was giving its blessing that the new one be made, and be made differently. And how different it is! Unlike previous iterations, Star Trek was an action/adventure blockbuster, and a good one at that.

The Dark Knight Rises

Fantastically executed, emotionally affecting, thematically weighty and rich in spectacle - Rises isn't as tight as The Dark Knight, but it caps off this amazing trilogy in grand style. This series will be talked about for years.

Christopher Nolan has done a bold thing. First by creating this iteration of Batman - in all his brooding darkness and gritty realism - then by following it up with the best superhero film ever made, and now by concluding the story as a trilogy... Anything he served up would appease the studios desire for a big opening weekend, but this series has become more than just a popcorn flick; The Dark Knight proved that super heroes can have legitimately good, artful, well-acted, powerful films, tackling real issues despite their fantastic premise.

I read a poem describing the job of poets: to create "Imaginary gardens with real toads in them"(Marianne Moore), and I think this can be applied equally well to film, and especially well to such films as Batman Begins and The Dark Knight; a fantasy world the draws us in and delights us with its spectacle and inventiveness, while still grappling with the 'toads' of reality - those things that plague us still in real life.

The hype surrounding this film has been incredible - with phrases like 'masterpiece' and 'perfect film' being thrown around to describe its predecessor, can Nolan follow up his success with an equal - or even greater - film?

Serenity

Awesome story, awesome characters, awesome world. This TV series was definitely worth resurrecting - go and watch it!

It's been a long time since my last post, and even longer since I posted about Firefly, but I've finally finished it. So here's a review of the movie that completed the story after the series was cancelled (for reasons I cannot fathom, since this show is so good!)

Basically this film plays out like a much longer episode of the show, which is both good and bad; on the downside the budget is still small by blockbuster standards, so while the effects are slicker and grander, they still feel a bit cheap and tv-ish. That's the worst of it though - all the best stuff from the show is all here; the dialogue is snappy, the characters are well defined and universally interesting, including all the new ones we're introduced to, even when they have precious few minutes of screen time. The universe this franchise inhabits is fantastically real-but-not, with a vibrance and believability overpowering any stretches of credibility.

Mission Impossible: Ghost Protocol

The fourth instalment in the 15 year spy series, leading man Tom Cruise brings back the action with spectacular flair. Balls-to-the-wall from start to finish, this spy adventure delivers the thrills, especially on the big screen. Watch this film, and enjoy.

First a few changes to my blog: Spoilers will now be placed 'after the jump'. Everything on the front page of the website, and the front page will be much more compact. Hopefully people are interested enough to click a single button to get to the meatier bits of whatever I'm talking about. Also, I'll write a summary of the film and my opinion at the head of each post, before the picture. I need to work on creating a hook for the post, and encourage people to start reading rather than blabbing on about never getting time to watch movies. Speaking of watching movies, I actually got up off my lazy arse and made it out to the cinema this week! Here's a review of something that's actually screening right now...

Mission Impossible: Ghost Protocol. MI4, some may call it. If they keep at it a few more films, this series will be verging on Bond territory. In short: I loved it. In long: think The Incredibles in live action, with real(ish) people. Or Bourne, with high-tech gadgetry. Or Bond, with failing gadgetry. I'm not in a position to comment on how this film stands with the Mission series as a whole, but from what I've read, this is undoubtably the best of them. The pace is frantic, as the narrative thrusts us from one action set piece to the next, via some short expository interludes. The breathless pacing is matched in every scene by visceral and frenetic action, and more broadly by the urgency of the world-ending threat. This is something close to a perfect action movie. 

Characters have arcs, and a little time is given to each of them, but that's not the point. There's just enough backstory to understand where each member of the team is coming from, and to establish them as a tight group - with a dynamic that ranges from hilarious to occasionally tense, but consistently watchable and entertaining. Given the lack of character moments, the actors contribute hugely to creating this tight sense of belonging in our small group of hapless heroes.

What did I not like? Well, spoilers...