Showing posts with label Alfred Hitchcock. Show all posts
Showing posts with label Alfred Hitchcock. Show all posts

Sunday, 21 April 2013

Vertigo

Hitchcock's classic thriller/romance about a man with a fear of heights has recently been labelled 'the greatest film ever made'. Vertigo is everything Hitchcock did best; a rollercoaster ride of suspense and surprise, an absolutely engrossing film.



The nice thing about Hitchcock's masterpiece is that, despite its incredible plot twists, it's a hard movie to spoil. I could tell you what one or two of the revelations are, but they wouldn't make sense without a fair bit of context first. I'll give you some context, but I won't spoil the film here.

James Stewart (one of my favourite actors ever) plays John "Scottie" Ferguson, a detective who retires after an incident in which, while on a chase, a police officer falls to his death trying to save Scottie from hanging off a building. The doctors diagnose Scottie with acrophobia; a fear of heights (often confused with the dizzy sensation known as vertigo). He encounters an old school friend, who asks him to follow his wife Madeline, concerned for her welfare. It seems Madeline believes that she is possessed by someone from the past; a mysterious figure named Carlotta.

Friday, 11 January 2013

Hitchcock

The film succeeds on many levels, but doesn't quite touch the heights of greatness of the titular director.


(This review contains spoilers for Psycho)

Alfred Hitchcock is still today the master of cinematic suspense. For the most part his films still hold up; I watched The Birds for the first time this week, and was enthralled at how such an admittedly silly premise could be turned into such a nail-biter. True, there were some awfully outdated "yellowscreen" effects, and times have certainly changed since the 1960s, but considering films like The Happening are made to this day, it's a wonder how well it holds up.

Psycho even more so. Psycho is perhaps most closely associated with the director today, but in 1960 when the film was in production it was considered a risky project, so different it was from Hitchcock's other works. The studio refused to fund and market it, the censors refused to approve it, and when it was released it was met with middling reviews. Since then, however, it has become most beloved by critics, with near universal acclaim. The film is considered both the genesis and the apex of the slasher/horror genre.