Pretty and romantic and sweet and sad... but I couldn't get into this love story.
Elvira Madigan tells the (true) tragic story of Danish tightrope-walker Hedvig Jensen (stage name Elvira Madigan), and her lover Sixten Sparre; deserter of the Danish army. The two run away together, and find themselves penniless and starving, but happy in love as they make their way through the beautiful Danish countryside, evading their pursuers, making friends and enemies along the way.
The film opens with the two of them together, sitting in a field. He has a razor and mirror with him, and shaves off his beard in an attempt to disguise himself, as they are planning to run away together. This takes a while, as he pauses halfway through to finish making love, but once relieved of his facial hair and libido they set off.
Inexplicably, though she has a more distinctive look and a higher public profile, they make no attempt to change her appearance. Plus, after spending the entire scene pulling the gold lining off his military coat so that it looks more like civilian clothing, he inexplicably hangs it around a scarecrow's shoulders, in a most conspicuous fashion. This is the first of many careless mistakes the two make.
This, I suppose, is the epitomy of being carefree in love.
Tuesday, 28 May 2013
Sunday, 12 May 2013
Star Trek Into Darkness
Star Trek Into Darkness is a perfect continuation of a supremely well-executed reboot. It draws on the old lore, builds on the new, with a balance that will likely please both the casual audience and the hardcore.
(This review will spoil some major plot developments from J.J. Abram's first Star Trek.)
Star Trek Into Darkness takes the solid foundation of the first film, and builds on it fantastically. The aesthetic of 2009's Star Trek remains with the action scenes, the creatively envisioned future gadgetry and even the infamous lens flare. Yes, the first film caught a bit of flak for the incessant lights that seemed dialed up to 11, but this film tones it down only a touch. It's no longer blinding, but it's familiar and consistent with the feel of the first film. Good compromise.
J.J. Abrams 2009 effort to reboot one of sci-fi geekdom's most well known franchises was perhaps the most brilliantly executed in reboot history. Recasting new faces as iconic characters, Kirk (Chris Pine) and Spock (Zachary Quinto), the trick they pulled in that film was to make the new series occur in a parallel universe; one affected by time travel. Different from the original series, but with the same characters and settings (well, minus Vulcan).
What made it really work was the presence of old Spock, played by the original actor, Leonard Nimoy. Nimoy's presence in the film served both to tie it in with the old series; acknowledging its existence, and also allowed the new series to take it's own direction with this slightly altered timeline. It was like the old franchise was giving its blessing that the new one be made, and be made differently. And how different it is! Unlike previous iterations, Star Trek was an action/adventure blockbuster, and a good one at that.
(This review will spoil some major plot developments from J.J. Abram's first Star Trek.)
Star Trek Into Darkness takes the solid foundation of the first film, and builds on it fantastically. The aesthetic of 2009's Star Trek remains with the action scenes, the creatively envisioned future gadgetry and even the infamous lens flare. Yes, the first film caught a bit of flak for the incessant lights that seemed dialed up to 11, but this film tones it down only a touch. It's no longer blinding, but it's familiar and consistent with the feel of the first film. Good compromise.
J.J. Abrams 2009 effort to reboot one of sci-fi geekdom's most well known franchises was perhaps the most brilliantly executed in reboot history. Recasting new faces as iconic characters, Kirk (Chris Pine) and Spock (Zachary Quinto), the trick they pulled in that film was to make the new series occur in a parallel universe; one affected by time travel. Different from the original series, but with the same characters and settings (well, minus Vulcan).
What made it really work was the presence of old Spock, played by the original actor, Leonard Nimoy. Nimoy's presence in the film served both to tie it in with the old series; acknowledging its existence, and also allowed the new series to take it's own direction with this slightly altered timeline. It was like the old franchise was giving its blessing that the new one be made, and be made differently. And how different it is! Unlike previous iterations, Star Trek was an action/adventure blockbuster, and a good one at that.
Labels:
Action,
Benedict Cumberbatch,
Blockbuster,
Chris Pine,
Great action,
Great writing,
J.J. Abrams,
Kirk,
reboot,
Sci-Fi,
Simon Pegg,
Spock,
Star Trek,
Star Trek Into Darkness,
Wrath of Khan,
Zachary Quinto
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